This project is led by Film Hub Wales and supported by the BFI Film Audience Network (FAN) – using funds from the National Lottery to ensure the greatest choice of cinema is available to everyone across the UK.įunds in Wales are administered by FHW via Chapter as the Film Hub Lead Organisation. ![]() We hope that listeners hear the passion and pride in the podcasts and resources, and that the wealth of insights and examples sets a spark for future opportunities for audiences to experience…” As a creative team, we’re so grateful for the tender, loving care that went into sharing ideas about screening, discussing and promoting trans+ films building community by networking speakers, filmmakers, venues and audiences and creating long-lasting accessible, shareable resources to keep the project alive. So Mayer, project consultant, says: “Creating TLC has been a process of (gender) euphoria. aims to provide valuable advice to venues, practitioners and filmmakers looking to support trans inclusion in cinema, helping to address the historic imbalance of trans representation on screen. You can find it on the Inclusive Cinema website along with additional written notes here ![]() The podcast is launching on Podbean and will soon be available wherever you get your podcasts. ![]() The written resource will expand on these themes, offering answers to tricky questions around programming trans film and filmmakers developing best practice for organisations and independent organisers. Jess Ting (he/him) offering gender affirming health care to trans and non-binary people in New York City. Expect intriguing conversation around the intimate documentary Born to Be, which follows Dr. An exciting bonus episode to be released in spring, with programmer Bea Copland (she/her) in conversation with Laura Kate Dale (she/her) at the Phoenix Cinema in Orkney.A rich Q&A between Juliet Jaques (she/her, writer and filmmaker) and Sarah Pucill (she/her, film artist), at the Lexi, London, delving deeper into Sarah’s film Magic Mirror (2013) experimental filmmaking, transness, and the potential of gender freedom through the medium of film.Insightful reflections on establishing a ‘trans film’ canon and how trans film can transcend not just gender binaries but established filmmaking norms by Lillian Crawford (she/her, freelance writer & researcher) talking about the classic Japanese Experimental film Funeral Parade of Roses.A playful panel discussion in Hawick delving into trans representation and collaborative filmmaking with programmer Milo Clenshaw (he/him, Alchemy Film & Arts) and speakers Rosana Cade (they/them), Ivor McCaskill (he/him), Natalie Ferguson and Katie Somers (all independent artists and filmmakers).They talk through finding joy in film, safety strategies for trans team members in public events and creative thinking around the definition of ‘trans film’. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |